Pan those R and G channels into a multiply, then plug the multiply into the lerp alpha. OK what I would do more specifically, is use a lerp to separate the flowing water texture, and constant3V for the solid color.įor the Alpha for the LERP, I would use an RGB texture, no alpha, and place my jagged masks in the R and G, and use the B for the edges. If you can accomplish something with a simpler shader, do it You don't want infinite different shaders for every new object or effect, for the sake of batching, resources, etc. The more reuse you can get out of your shaders, the better off you'll be.
CIRCULAR WATER SPLASH PNG PROFESSIONAL
While that doesn't apply as much to today's graphics processors, it's a good idea to keep up the same mindset. water splash transparent water splash png oil splash water droplets wave water waves water wave smooth water splash transparent background wave splash water circle milk splash water splash fish water splash black background water jet Browse 678,483 professional water splash stock photos available royalty-free. Computing arc tangents per pixel would likely be prohibitively expensive on an actual Gamecube. Keep in mind, the Gamecube used very limited pixel shaders. You can really see it if you pick a spot in the scroll and follow it with your eyes as it pans - it will reveal the two layers.
As the two scroll, the "spike" waves cross over, causing the bigger spikes. The mask image is low frequency waves, with a few larger "spikes" in it. Those "spikes" are just two copies of an alpha mask, scrolling in opposite directions. You guys are totally overthinking the Zelda water.
0 kommentar(er)
